CONTACT: PETER ALEXANDER
300 Plaza Centre One
Iowa City IA 52242
(319) 384-0072; fax (319) 384-0024
e-mail: peter-alexander@uiowa.edu
Release: Oct. 19, 2001
UI Johnson County Landmark jazz band will perform music by Steve Swallow
Nov. 3
IOWA CITY, Iowa -- Johnson County Landmark, the top jazz big band at the
University of Iowa School of Music, will present a concert featuring the music
of trailblazing electric bass player Steve Swallow at 8 p.m. Saturday, Nov.
3 in Clapp Recital Hall on the UI campus.
The concert will be free and open to the public. Johnson Country Landmark
(JCL) is directed by John Rapson, head of the jazz studies area in the School
of Music. Featured soloist on the concert will be trumpeter Brent Sandy, an
adjunct faculty member at the School of Music.
JCL will perform eight big-band compositions by Swallow that were commissioned
by Harvard University and that have been performed only at one other time.
Swallow and his longstanding musical partner, jazz composer/pianist Carla
Bley, have visited the UI twice in the past year for projects with JCL and
the Iowa City Jazz Festival. As a result of those visits, Swallow has asked
JCL to make a CD recording of these works with faculty soloists later in the
year.
Rapson commented, "Steve's music is very tricky and great fun to play.
He keeps you on your toes by referencing many conventions that have mischievous
little twists and turns you might miss if you don't keep your wits about you.
Every tune uses a different structure and rhythmic scheme."
For example, Rapson explained, one of the eight pieces, "Portsmith
Figurations," is a modal work that includes five-bar phrases. "Slender
Thread" and "Belles" are derived from Brazilian bossa nova
and samba. Other pieces include a tongue-in-cheek reference to a tango-influenced
rock number, a slowly-developing chorale and a lilting melody built on a 6/4
swaying rhythm.
Bookends on this program will be two classic repertory works: "Groovin'
High," a bebop anthem from Dizzy Gillespie's late 1940s big band, and
"Diminuendo and Crescendo in Blue," a concert stopper from the 1956
Newport Jazz Festival that revived the career of Duke Ellington and is captured
on one of his most famous recordings.
Swallow began music studies on piano and trumpet, turning to the acoustic
bass at the age of 14. He says his "otherwise miserable adolescence was
brightened by the discovery of jazz." He studied composition at Yale,
where he also played Dixieland with Pee Wee Russell and other great musicians.
In the 1960s he performed with the Art Farmer Quartet, the Stan Getz Quartet
and Gary Burton, with whom he maintained an association for 20 years.
In 1970 he switched from acoustic to electric bass. In between a teaching
engagement at the Berklee College of Music and a National Endowment for the
Arts grant he performed with Dizzy Gillespie, George Benson, Herbie Hancock,
Bob Moses and others. He joined the Carla Bley Band in 1978 and has since
then performed and recorded with Bley extensively, in various contexts.
A major ensemble in the UI School of Music jazz program, Johnson County
Landmark (JCL) is a repertory ensemble devoted to the performance of original
compositions by jazz masters. JCL has the standard big-band instrumentation,
with full sections of reed, brass and rhythm instruments. It is made up largely
of students in the UI School of Music majoring in performance or in the jazz
area.
JCL's current repertoire includes standards from the big band tradition
along with unpublished new works by current members. In recent years the group
has collaborated with leading jazz artists, including their concerts in 2001
with Bley and Swallow. The group's CD recording "A Mingus Among Us,"
was described as "over 70 minutes of sweet, sophisticated jazz classics"
in ICON magazine, and River Cities Reader commented that "JCL, the top
big band for the University of Iowa School of Music, captures the power of
Mingus' music wonderfully." They recently released a new album of original
pieces by Rapson entitled "Daydreams from the Prairie" on Nine Winds.
Sandy, who joined the jazz faculty in 2000, is a jazz trumpet and flugelhorn
performer, teacher and clinician. After receiving a bachelor's degree from
the University of Northern Iowa, he traveled nationally with the Glenn Miller
Orchestra and other bands. He has performed and recorded with groups ranging
from Latin bands to small combos and with a wide variety of jazz artists.
Sandy performs regularly with local jazz groups including the Orquesta de
Jazz y Salsa Alto Maiz, the OddBar Trio, Chris Merz and the Xtet and Nine
Easy Pieces. He is an educational specialist/clinician with Conn Musical Instruments,
a division of United Musical Instruments, USA, and serves on the Board of
Directors of the Iowa City Jazz Festival.
Rapson joined the faculty of the UI School of Music as director of jazz
studies in August 1993. He is a recording artist for the Sound Aspects and
Nine Winds labels whose work mixes ethnic and experimental elements with more
conventional jazz forms. His professional career began in Los Angeles, and
he has since performed with a number of leading jazz artists on both coasts.
Rapson previously taught at Westmont College in Santa Barbara and later at
Wesleyan University in Connecticut before coming to Iowa City.
The School of Music is part of the Division of Performing Arts in the UI
College of Liberal Arts and Sciences.
For information on UI arts events, visit http://www.uiowa.edu/artsiowa
on the World Wide Web. You may visit the UI School of Music web site at http://www.uiowa.edu/~music/.
To receive UI arts news by e-mail, contact <deborah-thumma@uiowa.edu>.
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